I have homework done this evening and I am sitting in front of my computer trying as hard as all get out to think of questions that drive my studio practice, which will then be written at the top of a worksheet that is to be used to build my classmates and my theses. I have written two questions and they seem very pretentious, so I thought that it might help to come over to this sphere of the art world and post a couple different projects that I have been working on. I can’t help but think that this is after all my real artistic voice.
A couple weeks ago I took down two installations, threw the loose wood into my studio and jumped in my truck to go work for a weekend. Meaning that last week when I got home there was an incredible mess lying out on the floor for me. Most folks would decide to clean, but I decided to start building a seven foot tall robot out of wood.
It is a very exciting process to sculpt with found wood materials. I feel like I am painting and assembling at the same time, and never do I feel less of a gap between the two processes. I do not concern myself with craftsmanship and try to downplay stability within the pieces. I think, in the end, that this is where the translation between drawings and physical space really occurs for me.
Check out my robot.
The sketch is the type of cartoon robots that this guy is based on. Do you think that it is possible to create a found sculpture that reads like a cute cartoon? How does one blur the lines between cartoon and jagged surfaces? I think I found my second question rooted in those two lines.
