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Card Artist?

Over the course of the past three years I have progressively sold more sports portraiture and sports card art. While I feel a bit reluctant to refer to myself as a card artist, I suppose that that is what I have been doing of late. It has certainly proved a little more lucrative than some of my work in the past.

It does feel a bit odd though, as the idea that I found myself working with my first year of graduate school has sort of rolled back around. How odd. The trading cards that I was attempting to make at that time did not go well. I felt too confused as to what I was even doing. I eventually abandoned them only to saw pieces of wood over and over again into tiny little blocks. I still have a lot of them. There were nearly a thousand painted and illustrated blocks by the time I was done.

But now it’s card art I guess. I had tried painting newer players, junk wax from the eighties. My daily pieces have even been of junk wax cards, but while I feel very much into the daily process with those cards, I do not feel quite so into doing more detailed and finished pieces of them.

However, I found this past weekend that something that I really enjoy is vintage card designs. I was commissioned to create a reproduction of a 1952 Bowman and Topps Roy Campanella, respectively. Additionally, I was tasked with creating a Larry Doby Newark Eagles card.

These two projects proved much more fruitful for my creative juices. I felt much more into the process. There is something about historical reference that always gets me geared up. I think that I’m just going to lean into it a bit more going forward.

That said, I’m starting to get some ideas for a series of Jazz cards based off of these slick 1950s Bowman cards. There is something so delightfully simple about the color in the originals that really has me excited. I did a drawing of Thelonious Monk in my sketchbook that I think will be first. I’ll see if I can’t get that together and posted later this week.

Until then, or some other time that the impulse hits me, cheers.

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Draw 365 Project 2023: The First Week

With the dearth of video, clickbait headlines and information at its fingertips, who, if anyone, reads blogs anymore? Read: Is there really a point in me prattling on with this platform.

Answer. Probably not, but it still feels like a useful means of communication. At the end of the day, how is the process of image making understood by intermittent snapshots? Or am I seeing this unclearly? Perhaps, if I was making images which were actually doing their job then posting TikTok videos and instagram reels left and right would be the best way to communicate what I am doing.

I don’t really feel that way though. I have always enjoyed words equally as much as I have enjoyed image making. The turn of a phrase is just as beautiful as a well made image. I had hoped to use this platform as the primary means of sharing my daily drawings this year, but that hasn’t really happened as of yet. The first day that I made one of the 88 Donruss portraits I was too taken by the concept of having members in my card community guess the player.

It is a performance that I have enjoyed. At that point I wonder if the work is solely the watercolor or if it is also the game that is played with my fellow collectors when they guess the identities of the players? I always did want to be a rock star. I wanted that give and take with a crowd. At 42 the idea of being in front of people and adored is repulsive but I still enjoy the push and pull that is a crowd and a creative impetus.

It has proven to be a productive first week of the year for me. I really enjoy the portraits that are coming of it. I think maybe I will use this space as a weekly roundup sort of experiment for the time being, at least as the space pertains to my daily drawings.

I do feel very attached to the words, but the only way a daily post makes sense is if I provide a history of sorts of the player that I’ve painted and I’m not really interested in that currently. A que sera sera.

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2022 : This is the End

…Beautiful friend, the end. The year draws to a close and so I reflect on my successes, failures, and the circumstances therein.

At the beginning of this year I felt incredibly disconnected from my art making and artwork. I was still creating a lot of work but it was feeling like a whole lot of work. I wanted to reestablish my curiosity in the art making process and find my creative voice again.

Daily Drawings

The first thing I did was to begin a daily drawing project again. It took me some time to arrive at an actual subject matter that really felt compelling to me. I began by simply painting one of the kids toys every day, but I quickly narrowed my focus to a plastic toy soldier every day. The project was quite similar to doing a series of gesture drawings at its best and kind of a throw away painting at its worst. I enjoyed the process whether it was the former or the latter.

Now I am coming into 2023 and I am trying to think what I want to do next for a daily drawing. Part of me wants to do a painting of a junk wax baseball card every day. Another part of me wants to do something a little more natural. We’ll see what happens.

Geometric Patterns

While I spent a good portion of the year really trying to figure out what to make the one thing that remained with me the whole year were these small watercolor and ink drawings/paintings. While I begin with a relatively small vocabulary or partitioning, I became more and more interested in the various ways that a pattern could change or shapes could interact within the same picture plane.

While I spent plenty of time trying to create small watercolors in this manner I later abandoned the idea of finished pieces for a library of different patterns in a small sketchbook that I had used. The sketchbook needed new life. I had started a project which really hurt in the beginning of it. so the only thing to do was to apply a new metric to the book.

I began to think more deeply about how something might be the same size or scale but feel different, occupy a different space entirely. I worked with many iterations, though I still plan to create a whole lot more. I even began to think about traditional tessellations like those that you would see in a Moroccan courtyard or MC Escher’s work.

At some point I will share more of these. I have a ton of pages like this.

Freedom

Ultimately, I am an artist who is still trying to find what I am doing in world which includes single parenting, working multiple jobs, and feeling incredibly cut off from a vast majority of what I had previously done.

I find myself thinking about that Bukowski quote: “When nobody wakes you up in the morning and when nobody waits for you at night and when you can do whatever you want. What do you call it, freedom or loneliness?

It is neither on its own. Much like in the Buddhist tradition you can feel good sad or sad happy, I feel that freedom and loneliness do not operate independently of one another. I am sometimes lonely. I am sometimes sad. I sometimes feel empowered and full of joy. But that is all just being a human. I don’t know anymore that any of this, no matter what you can do, whether it be Barry Bonds hitting one million baseballs into McCovey cove or Katie Ledecky swimming a half mile faster than you can walk it or Leonardo DaVinci drawing a perfect circle makes any of them more special than anyone else.

I think we all just are.

So goodbye, 2022. Hello, 2023. I await you in the unceremonious manner that a sober single father of two would.

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Cassettes & Handmade Baseball Cards

A quick recap in how I was gifted an awesome New York Mets cassette, finished a card art piece and mailed a RAK to a collector of my handmade baseball cards.

The Story on the Scene

I’ve determined that I’m pretty well done trying to make a business of sports related artworks for people. It was no longer bringing me joy to attempt to create work on commission. That said, creating work for friends which focus on some of their favorite players or just making work of players or images that I enjoy feels a little less out of bounds.

This morning I was able to work on a Frank Selee portrait card, which was really fun. According to wikipedia, Selee was manager for both the Boston Beaneaters and the Chicago Orphans/Cubs during the late nineteenth to the early twentieth centuries. He had a heck of a stash. It puts Sam Elliott to shame.

Additionally, the same friend who had asked for the Selee card had asked me to convert his two cassettes of the New York Mets first ever radio broadcast to a digital format. I recorded both for him and when I asked if he’d like me to send the cassettes back he said that I could get rid of them because he had no way to play them. What a score, because I do! I love this old broadcast.

After finishing the Selee and hearing that I could keep the Mets broadcast I determined that I wanted to gift a small painting that I had done of Nolan Ryan a little while back and so posted it for free on Twitter. I was happy that a previous collector scooped it up. I believe that is four of my pieces that he now owns. I’m quite proud of this one as well.

The method is all in the intention. I appreciate the act of giving. I am so pleased with how my cassette collection is developing and even more pleased to do some good in my little community of Mets fans and baseball card collectors.

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Watching Paint Dry: An Activity

Christmas has come and gone and we’ve settled into vacation week. Changes loom heavily on the horizon. It’s puzzling how everything I knew to be true for forty years has been shaken at its roots; sometimes shifted and sometimes abandoned altogether in the past two years. My therapist asserts that circumstances are all around us, that we need to tap into sure things, that the only things that we can really be sure of are our breath and the ground that sits beneath our feet.

I’ve resisted this mantra for a long time, but change is ongoing whether I am willing to accept it or not. I’ve taken to reading westerns that my father had in my house growing up and drinking primarily decaf coffee but for my cup of regular to start my day. I’ve relaxed some of the rules for my kids. They have had so much change in the past two years it just seems unrealistic to clamp down harder.

But then, clamping down is just something that I’ve done to myself and everyone around me for ages, expecting everyone to function better while constricting worldviews. Shockingly this has produced inconsistent but generally bad results.

I have, after some trepidation, begun to start anew. Artwork was something that has been set to the wayside for the past two years. True, I’ve produced a daily drawing this year, but I have not been centering my existence around the amount of artwork I can produce.

This freedom sounds innately good, but there is some question as to how one creates and what they might create in the mindset as well. I have struggled with this. Not so much as a sense of artist’s block, but more in a sense of being conscious of what I am making. I’ve begun to liken it to recovering from an injury. We do not immediately dive into activity as usual. We find our edges, sometimes pushing against them just a bit to see if we can go a bit farther or achieve something new.

Last week I began to think about the way that color seeps and dries as an event. I had seen a painting in pastel colors of stripes and I suddenly found myself yearning for a flat tipped brush. I hadn’t used one in ages, but I found myself resolutely and indeterminately focused on watching paint dry. It was one of the loveliest afternoons of recent memory.

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I Think You’re Kind of Neat

Then she’s tells me I’m a creep….

This morning after my swim and my breakfast I cleaned up the table a bit before I launched into my daily drawing. It never really feels like I’ve accomplished anything when I clean. There is always more that I have to do that I have just not gotten to yet, but it is easier to approach my sketchbook when the table is relatively cleaned off and there is space for me to work.

Then I popped on Core which I hadn’t listened to in a while. I had forgotten that I had picked up the first three Stone Temple Pilots albums on cassette but I felt really happy that I had this morning.

It has been a morning of shifting perspectives. Not dramatic shifts, more like an imperceptible plate tectonic sort of move, but a personal weight has been lifted the last couple days that I just could not find a way around previously. Happily that is on its way out.

The Bazooka man feels, in a way, apropos on a day of shifting perspective. He has the biggest gun. Most children will select him first. The word “bazooka” is just so cool to begin with. But what is it to be the man with the biggest gun? What does that feel like? Is it loads of responsibility? Is it the inevitability of being seen?

Currently, I’m reading The Midnight Library, and the main character, Nora Seed, while ruminating on the regret of her abandoned swimming programs and failed relationship with her dad, talks about the pressure of being seen. While it’s true that we all spend the majority of our lives walking around without anyone paying the least bit of attention to us, there is that fear that some of us carry that we will be seen. We feel vulnerable to people’s opinions, shifty looks, and harmful words. Perhaps we even carry those harmful words longer than one should. We develop a chip on our shoulder, people say. We’re too arrogant or stuck up and we don’t want to interact with others. But really, we may just be guarding ourselves, setting boundaries hard so that we are not hurt again by the harmful words of the many.

I wonder if it is ever like that for the bazooka man.

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Hello, Old Friend

I had every intention of getting a bit more done today than it seems I have so far, and yet, I’ve completed quite a bit. Will this feeling ever escape me? Expectations are the bane of human existence I think.

Alas, I was going to finish up a physics lab that I’ve been needing to do after my therapy appointment today, but I found myself buried in WordPress attempting to find my way around again. My friend set this site up for me months ago and this is the first I’ve really dove in to attempt to do anything. Shame on me?

But anyway, the meat.

Chess

Last night I played chess with my friend Nick in the park. It was a good game. We had quite the dance upon my back line as I had taken his key big pieces but he was in position to promote to possibly promote to queen and create some real trouble for me if I were to blunder. I did, but it was a good game. It was the first game that I ever really recall using the King in a tactical position rather than reacting to other players’ moves in terms of retreat.

It is an apropos metaphor for where I currently stand in my life. I have some big events coming up here shortly which will dramatically alter the course of my next 12 to 14 years. I am not altogether certain that I am ready for it, but I feel that it is time to stretch out the legs on the old king and go for it.

What Does this Mean Creatively?

It must mean something. I’ve found, over the course of the last few weeks, that I have a renewed vigor in creating, but that I am also less concerned with my productivity and more concerned with the act of making. I have long wanted to work on things for people. I feel my calling is to spread some joy through creation, but money and career has often stood in the way of that calling.

But now I am finding that a morning creating with my daughter, or a quick jot in a sketchbook can be equally as fulfilling as a painting that I spend forty hours a week on. I’ve also spent a lot of my life worrying that I had become a person whose practice is merely a hobby, but I feel less inclined to worry about that now. I make every day, sometimes a lot, and sometimes a very little.

The events in my life have dictated a different sort of living which would obviously lead to different ways of creating. I am starting this site up not as a continuation of what I was once doing, but as a replacement, which is more interested in what I am now doing. It is now after all.

So, if you’ve missed me meandering or wondered what I am working on and thinking about, I’d encourage you to drop on back. If these things are of no consequence to you, that is okay too. Take care, and goodbye for now.

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Temporal Alchemist

 Space.

It’s less the final frontier and more the unattainable aspect of life when you spend your weekends solo parenting. Space: The Unattainable Frontier. I have, again, felt pressed for time and unfit to do anything about it. Therefore, I have determined that I must develop a new invention, “A Temporal Alchemy Machine.” The Temporal Alchemy Machine will create time where there is no time. It will help the average person work one, two or three extra jobs, whatever they might need to solidify a more substantial and supportive income. It will allow people to produce more stable and beneficial relationships with their loved ones. It will allow you to play those games with your children while STILL finishing that very important contract with the extremely necessary client. You, yes you, will become harder, better, faster AND stronger.

In all seriousness though. I am struggling to find the time to do the things that I need to do and as my therapist has suggested, I’ve begun to steal time from elsewhere in order to do the things that I need to do to function. It just never occurred to me that some of the things that I do creatively are actually things that I “need” to do. However, how does one do any of the creative things that they want or yes, need, to do with a a conjoined four or seven year old……. I put no question mark there because it is 100% rhetorical. 

Since my wife and I split up nearly a year ago, my weekends have been almost entirely devoted to the needs of my children but I still manage to create here and there around the edges. But am I stealing time? Should I actually be focused on the entertainment and development of my children at all times? Is this like a dance that some people are just better at because they’ve worked on the muscle memory? I rather suspect that is the case. 

At any rate, here I sit. I need to make an extra $200 this weekend to make the check for preschool clear. It’s been a thing. Always borrowing from Peter to pay Paul. I have two commissions on my table that if I could finish them would make it, but the kids won’t let me get a minute in edge wise this week. Grant me strength, friends. 

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Carry the Zero

 I’ve been carrying the sad for so long I don’t know if I exist without it. I can’t separate myself from it because it has become so intrinsically a fiber of my being that it is sometimes the only thing that feels true. For years I’ve looked to others to fix this: to hide in their joy, to mistake their happiness with my deeds as my own happiness. 

But I struggle. And I realize that we all struggle, but I struggle to maintain a sense of caring. I do often paint myself the victim in my story because I overreact to others criticism. I view their displeasure as my short coming but then blame the situation on them and talk about these people and their horrible ways as a way to exonerate myself from my own inner sense of justice. It’s no way to live. I don’t suggest it. 

I’ve read a children’s book over and over to my daughter: Zen Shorts. Stillwater, a panda who has moved in next door teaches a young family of morals and mindful thinking through parables, the author explores giving, good and bad luck and carrying negativity. They are such simple tales and they make so much sense, but only a priori, at least for me. I tend to complicate. 

So I sit here in this hot bath, after bedtime went so well, then so poorly and then came to a screeching halt. My sinuses are achy and stuffed, my body tired from another week of giving and seldom taking. And when I do, feeling guilty about it. 

I don’t feel built for what I’m doing. But like Alan Watts attempting to define Zen, I find it easier to name what I am not built for than what I am built for. 

And so I sit here attempting to carry the zero. 

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There are Nights When I Think that Sal Paradise was Right

” …Boys and girls in America have such a sad time together…”

In my last therapy session, I was assured that I just needed to focus on the next step rather than all of the steps. This advice always sounds so obvious. Did I put on pants? Did I go to work? It is so simple, but so necessary to vocalize. What do we do if we can’t vocalize? What if we’re all just stuck between stations?

But anyway, I didn’t jump on here to be a drag today. I’m listening to the Holdsteady and painting Chipper Jones. I’ve nearly finished one of the documents that I needed to work on for my divorce and I swept and mopped the majority of my apartment earlier today. Oh, and I even bought myself food and swam a mile today. Hurray for randomly gifted paid days off! I went to work, but apparently I wasn’t ever scheduled to begin with. And then, somewhere in the middle of writing all of this I felt overwhelmed with the urge to go to sleep and I took a little nap with the kitties as well. Overall, it has been a pretty good day.

I am very pleased with how this Chipper Jones is coming out. Here’s a little sneak peak for your peepers.

I’m hoping to get this guy finished up tonight and out the door tomorrow. Remember, times are tough, half of my paycheck goes to the ex during the summer. If you want a piece hit me up.