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Art Birds celebrity Death extinction Portland Maine Painter Syracuse university

Death, Extinction, and Painting like your Mentors

I’ve spent some time trying to figure out what it is about extinct birds that has me so intrigued. For a little while I suspected that it had something to do with an environmental consciousness; sort of an extrapolation of the climate crisis that we aw experiencing. But to be honest, while I am very concerned with our climate, the effects we as a species have had on it, and most prevalent in my personal world, Maine’s complete lack of winter thus far, I have to admit that this series is not because of sense of responsibility to the environment. It’s the same sort of trope I would find myself falling into while I. Graduate school as for the reason that I prefer found materials. 

I realize now, coming off from a baseball season where the Mets made it to the World Series, and in my continual interest in the idea of race conflicts, and my perpetual views of land ownership, that I always cheer for the underdog. It is something deeper than that though. It is more this sense that I need to pay close attention to that which my fellow human beings may miss. I want to notice the insignificant, the under appreciated and remember the things that it seems we as a populace feel it may be better to forget. 
While it is true that many people when approached with the concept of species who are no longer with us will most definitely act the part of caring. I suspect that there is the idea of what a conscious, responsible, empathetic human must be; a sort of simulacrum of the ideal human being that so many of us aim to be. We put on that face as a populace. We are brutally affected by celebrity’s deaths, terribly concerned about the welfare of the manatees, quick to throw up a #blacklivesmatter, but how many of us live the actuality of this “ideal human?”  I know I don’t. I am anxious about my family, my job and my current lack of wheels. It would not surprise me if most people fell into this frame of mind. What I’m getting at here is that people don’t pay attention on a daily basis. The extinct birds are as much a reminder of the fact that our planet has been through a world of change overseen by humankind as it is a reminder to hold dear to you the concept of life and a soul. It is fragile and likely to disappear. 

Today was a very good studio day. I’m starting to hit this stride with my focus. Like many people say, having a family and expectations at home will often make you more focused she you are at your work. I wasn’t prone to believe this before, but now I am finding it to be true. 

I can’t wait to get going on these panels. I have been doing simple portraits of Hawaiian birds that we have lost in a transparent acrylic style which I learned from an instructor at Syracuse, Trey Gallagher. I feel like these pieces pay a nice compliment to the work that feature bird and pattern. Also there are so many species that we have lost in Hawaii alone that it makes perfect sense to a mini series on the extinct Hawaiian birds. 

These were my jams today. Carted for life. Hope your day was amazing. 
Peace
-Mike
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bird contemporary art extinction fine art Macaw maine painter Pattern tessellation

The Cuban Macaw, Extinction & Whatnot

I’ve had the Vestibule Gallery lined up for a couple months now. The space is prime; located right on Congress Street in downtown Portland, ME. I haven’t even had a solo show in Portland since 2005 and that was in a coffee shop. Needless to say I’ve been trying to put something good together, to the point where I’d have to say I was overthinking it. 

Finally, I started to think about my life a bit more, and my career a bit less and realized that I’ve burned a bunch of bridges this year. Maybe this isn’t a good thing, but maybe it isn’t bad either. I’ve been able to focus my attention on my family and my work. I’ve started to think of friends that you can keep and maintain without a whole lot of effort to maintain a persona as “rare birds.”  
Concurrently, I realized that I really wanted to make some work about our dying habitat. I pulled back a bit and started to work with extinct varieties of birds; species upon which we’ve burned the bridge. To speak more specifically on our impact on these species I’ve started to work with man-made patterns which take over the picture planes. 
Here are a few images of the piece I’ve started for the Cuban red headed macaw. 

The show is coming up in March and the work needs to be completed in the next month and a half, so I should have a few updates between now and then. 
Peace
-Mike