Categories
Gauguin hope Sketchbooks universal appeal. drawing

Ordinary Life as Symbol

This morning I was reading on the bus from Henri Dorra’s The Symbolism of Paul Gauguin, and one passage in particular struck me as interesting.  In another letter to Schuffenecker, Gauguin said, “In certain almost supernatural states of the soul, the profundity of life reveals itself full in the display before one’s eyes however ordinary it might be.  It becomes its symbol.”  As I was reading this it dawned on me what that feeling of documenting daily life in a sketchbook really is: It is this moment of self-awareness, that this moment matters.  There is something to this moment that means something to me.  It is poetic and important.  Working quickly in a pocket sketchbook allows this sort of snap judgement to really come alive.  

I wonder, however, how one can take these visceral moments and communicate them without the aid of a camera.  Would I need to draw from memory?  Would I simply draw from the sketch and end up with a very loose piece?  I don’t know that painting that loosely would carry the same gravity as the moment seems to encapsulate.  The other night on the bus, I saw two girls splitting the earbuds from one phone playing music.  It conjured memories of my days playing sports in high school, riding the bus next to my friend Steve.  It seemed important to document the moment more because of the universality of it than anything else.  However, if I communicate that to a final piece it will lose something that the drawing holds in documentation alone.
Later in the week I was listening to Social Distortion on headphones with a petite punk rock girl sitting several rows ahead of me.  I thought back to this nature that I’ve had the majority of my life. Punk music talks to a scene.  People who listen to punk rock are often considered a community. Wouldn’t it make more sense to sit next to the punk rock girl and strike up a conversation than to listen to Social D contentedly in the back of the bus.  I’ve built these barriers with the music as my companion rather than breaking down the barriers using the music as my weapon.  I wonder how many people do that?  The moment felt important, inherent in my nature.
So many moments that I experience with my son seem like something bigger than what they actually may be.  He is learning all about the world, how he interacts with it and what it is.  I have the opportunity to experience everything that we see again for the first time.  Explaining to another human being is experience at an all new level.  We observe more and in an entirely different way than we do when we use the “I know what that is” eyes.  Our familiarity with daily life kills our sense of the moment.  People will often tell you to be mindful of yourself and your surroundings, but I think there is no better way to do this than to attempt to record your surroundings and yourself. These moments of observation so easily do become a symbol.  You are no longer looking at one couple sharing headphones or one fellow sitting in the back of the bus, but you are now looking at BFF’s and the solitary individuals, the Saul Bellow characters walking through your daily life.  Perhaps they feel more sadness or introspection, or perhaps they are more comfortable with accepting their own sadness and introspection.

Children are generally understood as new to all of these games.  There is both a positive and a negative connotation to the word naive.  It is perfectly acceptable for a child to be naive and deplorable for an adult to be so.  And so it is interesting to partake in play listening; to purposefully allow yourself to behave in a naive fashion in order to better the development of a child’s psyche.

What is it to make artwork utilizing this voice?  Is naivety an issue because adult must go to work and be grown up or because somehow it assumed that you will miss out on something more profound?  I am growing to think that there is something very symbolic to the act of seeing things like a child.  If a person is able to approach a situation without a Deuleuzian Rhizome of understanding, perhaps you can experience that situation or object for the first time.  You can through what it is supposed to be.  I think it is just a symbol of hope, but do any of us, as adults, really understand what hope could be?
Peace
-Mike
Categories
Drawing Maine artists Parenting Sketchbooks

You Gotta Fight For Your Right To Create

My brain is open.  It is open to all sorts of information and ideas, but it is far more evident that it is open; as in it is open spilling out of my ears and pooling on the floor.  There is just too much to keep track of all of the time.  I am combating it like a champ though.  I am drawing and taking it slow.  I am keeping up, but keeping myself at a good pace.  I’ve been making my coffee with a pour over.  I made myself lunch.  I did the laundry and picked up the house.  I have been more efficient with my lessons and grading, more prolific in my tiny doodles, and much more apt to have my nose in a book.  I have been working on watercolor studies and final pieces and every morning I create a watercolor bug.

 My phone is the devil.  I need to put it down.  It is just oh so easy to pick it up and check Twitter and Facebook and Instagram and repeat though.  Chasing a toddler around makes your brain feel like soup.  The release of the phone feels like a nice crusty bread to mop up the last of the broth.
It makes sense.  It is a fight to be able to create.  
In order to help myself both calm down and keep up the momentum of creating I’ve started to catalog all of the quiet moments I have with my son.  I’ve drawn just about everything that he has brought me or given me as a present, and also some of the moments that we share.  It has been a major help in attempting to be slow.  The world operates very quickly.  It is a fight to be slow and meticulous just as it is a fight to be creative.

I am not always winning this fight (see thoughts on smartphone above.) but I am feeling better about the it.  I am slowly trying to implement changes in my life to return myself to the creative entity that I once felt myself to be.  I am also realizing that for all of the time that I spent telling myself that I was working, I think I produce almost as much work now.  It is quite possible that it has more to do with the type of time you spend rather than the amount of time.  I’ve had several ex’s try to express that to me before.

I’ve been fascinate about this idea of time, however.  There are periods of time where all I do is produce artwork and other times where in the past I have spent with my girlfriends or wife.  It does seem like this is one of the better instances of balance that I have ever mustered.  I feel as though I am making but not impeding progress.  Now all I need to do is line up a couple more shows for 2017.  Although, that might just break my balance that I’ve been trying to cultivate.
Peace
Mike
Categories
Art Bic Pen Birds Maine Artist Memo Books Monsters Notebooks Pen and Ink Robots Sketchbooks

Drawing More

I am starting an experiment.  In efforts to draw more and fit artwork into my day in the in between spots I am carrying notebooks that are specifically for a certain subject.  I have started a bird, robot and monster book.  The books are just memo books and, as such, are not incredibly precious.  I feel like the nature of these books will make it easier to deal with mistakes and to work quickly.  This morning while I was experiencing my beginning of the day studio time I tried to work through a few different characters in my monster and robot memo books and it seemed to get me by the working kinks that start every studio day.

I have always kept sketchbooks so this practice doesn’t seem completely new, but this is the first time that I have ever challenged myself to fill a particular book with variations on just one subject.  I think this will prove interesting.  Often subjects become boring when you draw them too much because they become all very much the same.  As I am attempting to create a different creature for each page I think that this will make me think a bit more out of the box.

 At any rate, it was at least a pleasant way to end my night last night and begin my day today.  I wonder what other subjects I will try to fit into memo books.  They are cheap.  I’m looking forward to the drawings.  I hope you dig them too.

Peace
-Mike

Categories
Ben Kweller Children Cloud Constructor Clouds Parenting Sketchbooks Tanks

Clouds and Paint

Last week I went to visit several very good friends.  Each stop revealed multiple works that I had painted.  My style has been very different than most of that work in the last two years.  While there is something really great about my newer drawing based work, I have been missing the layers evident in my more painterly style.  I really had started drawing more as a way to work on my skills where I felt they were wavering.  It was not that long ago that I wouldn’t worry about the state of drawing so much because I knew that once I started painting I could make the work look like whatever I needed it to look like.  I had kind of lost sight of the fact that the strictly drawing based work was an exercise.  It is time to paint again.  I want some more serious shows again.

With these last two thoughts in mind, I started at one of my sketchbooks during the middle of a class that I was monitoring on Saturday.  I visited some cloud motifs that I had worked with a couple years ago.  They were really a modification of the clouds in the old Cloud Constructor works, but with more of the express intent of making the clouds characters in their own right.  I started crossing this imagery with the rain marks.  Rain has always signified a sort of cleansing and rebirth to me.  Perhaps it is like a continued sort of baptism?  The rebirth brought me back to me child who is on the way.  I started mixing the baby badger into the piece as well.

Finally I was able to get some real painting in the other night.  My wife was asleep on the couch and I was listening to Ben Kweller ( I love pop music when I am working through new ideas. )  I took a panel that I had nailed together in attempts to entertain her little brother at one point.  Side note: that plan did not work.  I liked the shape of the pieced together wood and I thought that cloud forms would add a nice contrast to the rectilinear shapes making up the larger shape of the surface.

Slowly everything started to form in my head.  The clouds and the rain are a way of thinking of media and ideologies which saturate our vision and thoughts.  It is all one confusing cloud or blob.  I began to think about my child.  What are all of these extraneous bits of information going to feel like to a small child learning the ways of the world?

The larger piece felt pretty good and I felt like the colors were working really well.  It felt like the right thing to be painting again.  I started to wonder if there might be something in working the painterly and the drawing back and forth a little bit more.

This is what I ended up with when I started to think about the two as one.  I think that there is probably some success in here that I had not been aware of before.  We will have to see.

Peace
-Mike