This morning I was reading on the bus from Henri Dorra’s The Symbolism of Paul Gauguin, and one passage in particular struck me as interesting. In another letter to Schuffenecker, Gauguin said, “In certain almost supernatural states of the soul, the profundity of life reveals itself full in the display before one’s eyes however ordinary it might be. It becomes its symbol.” As I was reading this it dawned on me what that feeling of documenting daily life in a sketchbook really is: It is this moment of self-awareness, that this moment matters. There is something to this moment that means something to me. It is poetic and important. Working quickly in a pocket sketchbook allows this sort of snap judgement to really come alive.
Category: Sketchbooks
My brain is open. It is open to all sorts of information and ideas, but it is far more evident that it is open; as in it is open spilling out of my ears and pooling on the floor. There is just too much to keep track of all of the time. I am combating it like a champ though. I am drawing and taking it slow. I am keeping up, but keeping myself at a good pace. I’ve been making my coffee with a pour over. I made myself lunch. I did the laundry and picked up the house. I have been more efficient with my lessons and grading, more prolific in my tiny doodles, and much more apt to have my nose in a book. I have been working on watercolor studies and final pieces and every morning I create a watercolor bug.
I am starting an experiment. In efforts to draw more and fit artwork into my day in the in between spots I am carrying notebooks that are specifically for a certain subject. I have started a bird, robot and monster book. The books are just memo books and, as such, are not incredibly precious. I feel like the nature of these books will make it easier to deal with mistakes and to work quickly. This morning while I was experiencing my beginning of the day studio time I tried to work through a few different characters in my monster and robot memo books and it seemed to get me by the working kinks that start every studio day.
I have always kept sketchbooks so this practice doesn’t seem completely new, but this is the first time that I have ever challenged myself to fill a particular book with variations on just one subject. I think this will prove interesting. Often subjects become boring when you draw them too much because they become all very much the same. As I am attempting to create a different creature for each page I think that this will make me think a bit more out of the box.
At any rate, it was at least a pleasant way to end my night last night and begin my day today. I wonder what other subjects I will try to fit into memo books. They are cheap. I’m looking forward to the drawings. I hope you dig them too.
Peace
-Mike
Last week I went to visit several very good friends. Each stop revealed multiple works that I had painted. My style has been very different than most of that work in the last two years. While there is something really great about my newer drawing based work, I have been missing the layers evident in my more painterly style. I really had started drawing more as a way to work on my skills where I felt they were wavering. It was not that long ago that I wouldn’t worry about the state of drawing so much because I knew that once I started painting I could make the work look like whatever I needed it to look like. I had kind of lost sight of the fact that the strictly drawing based work was an exercise. It is time to paint again. I want some more serious shows again.
With these last two thoughts in mind, I started at one of my sketchbooks during the middle of a class that I was monitoring on Saturday. I visited some cloud motifs that I had worked with a couple years ago. They were really a modification of the clouds in the old Cloud Constructor works, but with more of the express intent of making the clouds characters in their own right. I started crossing this imagery with the rain marks. Rain has always signified a sort of cleansing and rebirth to me. Perhaps it is like a continued sort of baptism? The rebirth brought me back to me child who is on the way. I started mixing the baby badger into the piece as well.
Finally I was able to get some real painting in the other night. My wife was asleep on the couch and I was listening to Ben Kweller ( I love pop music when I am working through new ideas. ) I took a panel that I had nailed together in attempts to entertain her little brother at one point. Side note: that plan did not work. I liked the shape of the pieced together wood and I thought that cloud forms would add a nice contrast to the rectilinear shapes making up the larger shape of the surface.
Slowly everything started to form in my head. The clouds and the rain are a way of thinking of media and ideologies which saturate our vision and thoughts. It is all one confusing cloud or blob. I began to think about my child. What are all of these extraneous bits of information going to feel like to a small child learning the ways of the world?
The larger piece felt pretty good and I felt like the colors were working really well. It felt like the right thing to be painting again. I started to wonder if there might be something in working the painterly and the drawing back and forth a little bit more.
This is what I ended up with when I started to think about the two as one. I think that there is probably some success in here that I had not been aware of before. We will have to see.
Peace
-Mike